Art & Design

Baseera Khan is a New York-based performance, sculpture, and installation artist who makes work to discuss materials and their economies, the effects of this relationship to labor, family structures, religion, and spiritual well being. Khan is currently working on a public art commission on The High Line for fall 2023. Khan mounted their first museum solo exhibition at the Brooklyn Museum of Art, New York (2021-22), and opened their first solo touring exhibition in Houston, Texas at Moody Arts Center for the Arts, Rice University (2022-2023).

Jason Hirata was born in Seattle, Washington in 1986. His work examines forms of recognition in spaces of alienated labor and argues that if we think of contingency, heteronomy, and affectability not as a mere condition of the artist, but as fundamental to the materiality of art, then it is necessary to think about these conditions as constitutive support. He has exhibited at Fanta MLN, Milan;Kunstverein Nürnberg; Artists Space; Svetlana, New York; 80WSE at NYU; Theta, New York; and Ulrik, New York.

Steffani Jemison was born in Berkeley, California and raised in CIncinnati, Ohio. Her work has been the subject of solo exhibitions and special projects at JOAN Los Angeles (2022), Contemporary Art Center Cincinnati (2021), the Everson Museum (2021), the Stedelijk Museum (2019), Nottingham Contemporary (2018), Jeu de Paume and CAPC Bordeaux (both 2017), MoMA, New York (2015), RISD Museum, Providence (2015), and LAXART, Los Angeles (2013) among others.

Guadalupe Rosales (b.1980, Los Angeles; lives and works in Los Angeles) is a multidisciplinary artist and educator best  known for her community generated archival projects, “Veteranas and  Rucas” and “Map Pointz,” found on social media. Rosales received an MFA from the School of the Art Institute of Chicago in 2016.

Rindon Johnson is an artist and poet. Johnson has presented solo exhibitions at The Albertinum (Dresden), Chisenhale Gallery (London), The Julia Stoschek Collection (Düsseldorf) and the SculptureCenter (Long Island City), among others. He is the author of Nobody Sleeps Better Than White People (Inpatient, 2016), the VR book, Meet in the Corner (Publishing-House.Me, 2017), Shade the King (Capricious, 2017), The Law of Large Numbers: Black Sonic Abyss (Chisenhale, Inpatient, SculptureCenter 2021) and most recently Ever Given (Inpatient and Francois Ghebaly, 2022). He was born on the unceded territories of the Ohlone people. He lives in Berlin.

Constantina Zavitsanos works in sculpture, performance, text, and sound to elaborate debt, dependency, and means beyond measure. Zavitsanos has exhibited at the New Museum, Brooklyn Museum, Artists Space, The Kitchen, and Participant Inc (New York), at Arika (Glasgow), and HKW (Berlin). With Park McArthur, they wrote “Other Forms of Conviviality” in Women & Performance (Routledge), and “The Guild of the Brave Poor Things” in Trap Door: Trans Cultural Production and the Politics of Visibility (MIT Press). Zavitsanos is a Foundation for Contemporary Art's Roy Lichtenstein Awardee (2021) and a 2022 Keith Haring Fellow in Art & Activism at CCS/Bard College. They live in New York and teach at the New School.

Catherine Haggarty, b. 1984, is an artist based in Brooklyn, New York. Haggarty’s paintings and curatorial work have been reviewed by and featured in Bomb Magazine, Artnet, Hyperallergic, Two Coats of Paint, Brooklyn Magazine, The New York Times, Maake Magazine, Art Maaze Magazine, Art Spiel, Final Friday Podcast, Sound and Vision Podcast, The Black and White Project, Curating Contemporary’s book Eraser, and Young Space.